
So here's to a good year ahead for everyone.
Sadness, as Nick Cave notes, has a bad reputation. "We can't live if we are completely impervious to sadness," he has said. American poet Anne Sexton felt "creative people must not avoid the pain they get dealt". It is an idea with a long history. Philosopher Spinoza felt that sadness recoils from desire, and it is desire (for life) that is the real anti-depressant. Nineteenth-century neuroscientist George Gray thought it was a gradual "unlearning of optimism". Now sadness is confused with depression, and thought to be a chemical imbalance in the brain.
But while most scientists have turned away from notions such as soul-loss to describe the numbness that comes with depression, British biologist Dr Lewis Wolpert thinks it is a useful term. "With such distress we are at the very heart of being human," Wolpert writes in his best-selling Malignant Sadness. No one has yet found the cerebral substratum of passion and discontent.
I stole those lines from an article on Paul Hester's death in 2005. Hester was the drummer for Crowded House who killed himself unexpectedly, as if suicide is ever expected. He'd battled depression for his entire life, apparently, as many creative types do. He was a smart guy, funny, talented, and sad. My friend Tod says he can't listen to Crowded House anymore, after the suicide. It does change the music which, though for me was always melancholy, really makes me want to cry if I think about Paul. A waste and a shame, and we'll never know what went through his head as he went out that night to walk his dogs, and ended up hanging himself in the park.
Your Lovescope - Tomorrow, December 9, 2008 |
Physical evidence:
Two photos extant of the crime scene. Show weapons still on the ground. Notes and a diagram identify the various hubris surrounding the bodies: keys, handbags, hairpins, an eye, a package of soap, broken plates, buttons, skin, a bracelet, a hat, dried flowers, part of a wig, a comb, a knife, a chain, socks and gloves.
Medical report of Dr. Chartier:
Madame : At the morgue, part of an ear (determined to be that of Madame Lancelin) and two eyeballs are resting “dans le tour de cou” – they had been found under the body when it was lifted and put there by the attendants moving the body. Madame is practically scalped. Much description of damage done to the face…no longer recognizable. Arms not injured. hands are still in gloves, are cut and bones are broken. Watch stopped at 7:22. Right hand is more injured than the left.
Mademoiselle : Watch stopped at 7:47. Face equally unrecognizable. Left eye found on staircase. Skin sliced in the form of a V on upper lip and right cheek. Skull fractured and brain matter coming out. Left hand, holding brown hair. Right hand, palm sliced open. Thigh sliced after death. Several cuts through the muscle. She had her period, wearing “une garniture tachée de sang.” Left leg cut through to the bone. Pants pulled down by the killers and shirt pulled up.
Christine's (pictured at right above) testimony:
They left the house before dark – I don’t know exactly what time it was. They didn’t give us any work to do and we had already been working very hard. The iron blew out; I had just picked it up from being fixed. When they got home, around 5h 30, I told Madame I was unable to iron because the iron was broken again. When I told her that, she acted as if she were about to attack me. Seeing that she was going to jump on me I lunged at her face and pulled out her eyes with my fingers. When I say it was Madame I attacked, I was wrong – it was Mademoiselle whom I attacked and pulled out her eyes. During this time Léa jumped on Madame and also pulled out her eyes. They fell down and I went to the kitchen to get a hammer and a kitchen knife.
I closed and locked the doors downstairs because I wanted the police to find the bodies, not out patron. We washed our hands, which were very bloody, in the kitchen, and took off our bloody clothes. We put on a nightgown and locked the door and got in the same bed, where you found us.
I do not regret what happened, in other words, I can’t tell you if I do or not. I would rather have the skin of my mistresses than for them to have mine and my sister’s. I didn’t plan the crime, and I didn’t hate her, but “je n’admets pas le geste qu’elle eut ce soir…à mon égard.”
Léa (pictured at left):
My employers left the house around 3:30, they left us alone with my sister. She ironed and I cleaned. Before leaving they did not scold us, there was no discussion at all. They came home around 6h or 6h 30.
Here Lea refuses to continue; the investigators read her sister's statement to her.
Everything that my sister told you is exact, the crimes happened exactly as she told you. My role in this affair is absolutely that which she indicated. … No more than my sister, I haven’t the least regret of the criminal act we committed. Like my sister, I would rather have the skin of my employers than that they have mine.
When asked “Before you hit your employers, were you and your sister hit by them?” she replies: "They didn’t hit us, they only made a gesture as if they were about to strike us. I repeat, I would rather have had their skin than that they have mine and, I repeat again, I have no regret.”